thomasflight
The Succession Character That You Never See
The Brilliant Sound of Sound of Metal
Why Chloe Zhao Deserves To Win Best Director for Nomadland
In Praise of Subtle Performance
Why Dune's VFX Feel So Different
How Paul Thomas Anderson Changed
Soul: A Masterclass in Fake Light
An Exploration of Atlanta's Afrosurrealism
How Real is The Rehearsal?
Why Are David Lynch Movies Like That?
The Hidden Story of The Grand Budapest Hotel
Why Experimental Documentaries Matter (And Why I Made One)
Why Andor Feels So Real
Justice League vs. The Snyder Cut - Filmmaking Comparison
The Art of Creating Worlds With Sound
Why Do Terrence Malick's Movies Look Like That?
My Favorite Performances of 2022
Asteroid City Ending Not Explained
Why Omar Was The Heart of The Wire
Why Do Movies Feel So Different Now?
In Praise of Subtle Cinematography
Lessons From The 2021 Oscar Best Editing Nominees
Is Martin Scorsese Right About Cinema Dying?
Why The Bear Gets in Your Head
Martin Scorsese's Search for Redemption
Why The Bear is So Intense
Parasite in Black and White - How B&W Changes a Film
How Bergman Mastered the Art of Filming Faces
Why Some of Christopher Nolan's Dialogue is Unintelligible
Martin Scorsese Said I Was Wrong?
AI in Film vs. Reality
My Top 10 Films of 2022
How The Green Knight Gets You To Think About This
Queen's Gambit: Creating Conflict Without Words
Why Dune's Editing Feels Different
A Breakdown of Hans Zimmer's Wild Score for Dune
How To Steal Like Wes Anderson in Moonrise Kingdom
Going Inside Inside - Deconstructing Bo Burnham's New Comedy Special
